One of my favorite albums from last year (in fact, I’m still confused on how I missed it when writing up my “2024 Best Of” list) was a live recording of long-form improvised, atmospheric jazz by Jeff Parker and the ETA IVtet. While the album as a whole is great, one particular aspect that stood out to me was the drumming – subtle yet driving texture that at times is almost more “percussion” than “drumming.” From the album credits, Jay Bellerose wasn’t a name that I immediately recognized but it sent me searching and opened a door into both music I already loved and some that was entirely new.
If you start searching Jay Bellerose’s name, the first place you’ll come to, and the most widely familiar, is 2007’s Raising Sand – the very successful (but fairly unexpected) project that brought Robert Plant and Alison Krauss together. I loved this album when it released but hadn’t thought distinctly about the drumming at the time. Going back now to specifically listen for Jay’s part I was immediately struck by how fundamental the drumming is to very feel of that music. From there I kept searching, read a number of interviews, and found an entire catalog of music from a greatly underappreciated artist.
We hear people talk about a musician, whether it’s a drummer, a guitarist, or whatever, having their own distinct sound. To be honest though, I often struggle to hear the strong distinction others might call out. With Jay though, particularly after his time in the 90’s supporting Paula Cole, his quintessential “sound” was immediate, obvious, and compelling. A bit loose but not sloppy, minimalist leaning but rich in texture, embracing space to let the music breath. He creates a solid, gritty foundational music palette with plenty of room for the “lead” musicians to then spotlight their songwriting and talent.
While there is absolutely immense talent in studio musicians who can flawlessly adapt their playing to any style and sound based on what the session of the day requires, I find inspiration and admiration in what Jay Bellerose has done. He has a developed a personal style that is never showy, but instead trusts that a powerful feel can be created with just the right touch.
To you my friend, I would recommend listening through this sample of Jay’s catalog twice. The first time, just listen naturally, not focusing on any particular aspect of the music, just taking it in. Then go back and listen a second time but focus on the drumming. While this playlist has a wide variety of artists and songwriters, I think you’ll find it obvious Jay Bellerose is the common through-line and why these artists intentionally sought him out.
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